A neoclassical French architect, interior decorator and designer, Charles Percier was an illustrious representative of Directoire Style and Empire Style.
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About his life.
Percier was born at Paris in 1764. In 1784, at age nineteen, he won the Prix de Rome, a government-funded fellowship for study in Rome. Then he met Pierre-François-Léonard Fontaine who became his lifelong friend. Percier & Fontaine became the leading architectural firm of the Napoleonic period, their work influencing the whole of Europe and America, and the widespread adoption of the Empire style. In 1801, Percier was appointed as an architect to the government.
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What were his major works?
Toghether with Fontaine, he designed interiors, walls, and ceilings and designed furniture, accessories, and ornament for the old royal palaces and the new residences of the Bonapartes. Much of their work was done on the Louvre and the Tuileries palaces; they designed the arcades of the rue de Rivoli and the rue de Castiglione along the Louvre and designed the Arc de Triomphe du Carrousel connecting the Louvre and Tuileries (1806–08). They also worked on the Château de Saint-Cloud and the Château de Fontainebleau.
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Percier’s products in interior decoration and furniture design were featured in the Recueil de décorations intérieures (1801–1812), a collection of 72 plates of furniture and furnishings and the most important and influential book of ornaments in France at the time. By Fontaine’s own admission, Recueil was Persier’s masterpiece. Persier drew and engraved the plates himself, despite the fact that both signatures were signed on them.
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How can we identify Percier’s style?
Percier favored luxurious and grandiose renditions of neoclassicism, the so-called Directory style and the Empire style. The style is distinguished by a small amount of detail and ornamentation, inspired mainly by ancient Roman objects that were discovered during excavations in Pompeii. Directory furniture was the last phase of the Louis XVI style. The Empire style was based on the inspiration of Napoleon by the greatness of Ancient Egypt and imperial Rome.
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