French decorator and furniture designer Louis-Jean-Sylvester Majorelle. He was one of the greatest designers of Art Nouveau furniture. The products he created are considered works of art.
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About his life
Majorelle was a decorator, cabinetmaker and manufacturer. He was born in Toul in 1859 in a family a furniture designer and manufacturer, Auguste Majorelle (1825 – 1879). Louis studied in Nancy, and in 1877 he was enrolled in the Paris School of Fine Arts. Two years later, his father died and he was forced to return to Nancy, where, together with his brother, he headed the family faience and furniture factories. In 1894, Louis Majorelle, inspired by naturalism and symbolism, created a completely new collection of furniture. His designs were notable for the use of inlay. He was best known as a cabinetmaker. He produced two main types of furniture: collection of luxury furniture and cheaper one. He launched the metal processing technology for the production of bronze. It was originally used to decorate furniture, and in 1896, in collaboration with Daum, lamps were launched. Louis Majorelle opened a number of retail stores. And in 1901 he was appointed vice-president of the famous school of Nancy. After 1918, in the collections of Majorelle products, geometric shapes came to replace the floral ones, which symbolizes the arrival of the Art Deco style. Louis Majorelle died in 1926.
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What kind of furniture did he produce?
The French designer inherited his father’s furniture workshop, specialised in luxurious Neo-Classical and Neo-Rococo pieces. From the 1890s, under Emile Gallé’s influence, Louis Majorelle turns himself towards a modern Art Nouveau style with elegant proportions and refined marquetries. He was a master in the design of furniture using carving, inlay and ormolu or other metal decorative elements; the curving themes were generally based on floral patterns. He, however, privileged an architectural balance and finds in nature a key inspiration.
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The work at Nancy is amazing in its variety, originality and beauty, although there is a tendency toward an excess decorative richness. Majorelle’s style incorporated a modified flowing line with polished woods, highlighted by Art Nouveau bronze mounts in the 18th-century tradition. Majorelle’s catalogs between 1900 and 1914 show a tremendous output: suites of furniture for individual rooms, furniture using botanical motifs or other stylistic themes, and specific pieces whose prices ranged according to custom-ordered materials.
Image source: https://collections.vam.ac.uk