Wassily Chair (1925)

The Wassily Chair, also known as the Model B3 chair, was designed by Marcel Breuer in 1925-1926 while he was the head of the cabinet-making workshop at the Bauhaus, in Dessau, Germany.

Wassily Chair (1925)
Wassily Chair (1925)
Marcel Breuer sitting on Model B3 Wassily Chair, 1925-26

Image source: https://bauhaus-movement.tumblr.com/post/131371553349/marcel-breuer-sitting-on-model-b3-wassily-chair


My most extreme work . . . the least artistic, the most logical, the least ‘cozy’ and the most mechanical.

While teaching at the Bauhaus, Breuer often rode a bicycle, a pastime that led him to what is perhaps the single most important innovation in furniture design in the twentieth century: the use of tubular steel. The same material of which his bicycle’s handlebars were made was strong and lightweight, and lent itself to mass-production. Taking this into account, Breuer reasoned that if it could be bent into handlebars, it could be bent into furniture forms.

Inspired by the constructivist theories of the De Stjil movement, Marcel Breuer was still an apprentice at the Bauhaus school when he stripped the classic club chair to its basic lines and shapes, forever changing the course of furniture design.

This chair was revolutionary in its use of the materials (bent tubular steel and eisengarn) and methods of manufacturing; the design (and all subsequent steel tubing-based furniture) was technologically feasible only because the German steel manufacturer Mannesmann had recently perfected a process for making seamless steel tubing. Previously, steel tubing had a welded seam, which would collapse when the tubing was bent.

Wassily Chair by Marcel Breuer, in an abitation

Image source: http://www.thecoolist.com/wassily-chair-by-marcel-breuer/wassily-chair_3/

The base model for this chair is the traditional overstuffed club chair; yet all that remains after Breuer’s intervention is its mere outline, an elegant composition traced in gleaming steel; as a result, the canvas seat, back, and arms seem to float in space. The body of the sitter, all in all, does not touch the steel framework.

A Chair Inspired by an Artist

[…] Kandinsky, who came by chance to my studio when the first chair was brought in, said, “What’s this?” He was very interested and then the Bauhaus got very interested in it. A year later, I had furnished the whole Bauhaus with this furniture.

Wassily Kandinsky, Composition VIII, 1923
Wassily Kandinsky, Composition VIII, 1923

Despite popular belief, the chair was not designed for the abstractist painter Wassily Kandinsky, who was part of the Bauhaus faculty at the same time. Kandinsky had admired the completed design, and Breuer fabricated a duplicate for Kandinsky’s personal quarters. The chair became known as “Wassily” decades later, when it was re-released by Italian manufacturer Gavina, who had learned of the anecdotal Kandinsky connection during its research on the chair’s origins.

The Wassily Chair Project

The chair’s model, first designed in 1925, undergoes several transformations over time. In 1927, the frame has reached its present setup, consisting of a continuous tube (without joints) that circumscribes the frame, bending several times a cubic space.

Initially, the Wassily Chair was produced by the company founded by Breuer of Standard-Mobel Lengyel in 1929 that is absorbed by Thonet.

The Thonet produced version of the chair is most rare, and went out of production during World War II.

After the war decades, Gavina picked up the license for the Wassily, along with the Breuer designs previously sold by Standard-Möbel, Lengyel & Co., and introduced the more recognized Wassily version that replaced the fabric with black leather straps, though the fabric version was still made available. In 1968 Knoll bought the Gavina Group of Bologna. This brought all of Breuer’s design into the Knoll catalog.

Various design stages of B3 ‘Wassily Chair’, 1925-1927

Image source: http://katsclass.com/10760/breuer/designwk11breuer06.htm

The Wassily chair, like many other designs of the modernist movement, has been mass-produced since the late 1920s, and continuously in production since the 1950s. A design classic is still available today. Though patent designs are expired, the trademark name rights to the design are owned by Knoll of New York City. Reproductions are produced around the world by other manufacturers, who market the product under different names.

Data sheet

Designer: Marcel Breuer

Year: 1925

Producer: Knoll

Structure: Tubular steel with polished chrome finish.Seat in leather or Cordura.Each chair comes with the feet in molded plastic, easily applicable to the base, if necessary (for hard floors).

Finishes: Leather upholstery is available in thick black, brown, tan, gray or white-beige.The Cordura fabric and available in black, brown, blue, green, gray or red. Chrome stem.Dimensions:L 79 cm x 70 cm D x 72 cm, seat height: 42 cm

Edges of black cowhide leather are dyed black; Frame is seamless tubular steel with a polished chrome finish; Four plastic glides snap into pre-drilled holes on base of the chair.

(W) 79 x (D) 74 x (H) 71.5 cm Seat Height: 42 cm

Image source: derlook.co.nz/derlook1/index.php?route=product/product&product_id=257

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