Cinematic Special Effects (1896 -1914)

Georges Méliès and other visionary pioneers of early special effects started a long and unstoppable evolution which led to the current generation of cinematic technology.

HBO series Game of Thrones has won severl nominations for many groundbreaking developments in special effects.

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Even if Auguste and Louis Lumière are considered as the creators of cinematography, the huge contribute given by Georges Méliès can’t be denied: while the Lumière brothers never believed in cinema’s future, he saw its potential and, from 1895 to 1914, directed more than 4000 films.

Melies experiments

He claims to have discovered stop motion while he was filming a street scene, discovering that cameras could manipulate images,  when he developed the footage he took after his camera jammed filming a basic street scene.

This example reportedly inspired many of his cinematic effects, including:

  • transformations (umbrellas turning into mushrooms);
  • disappearances (aliens turning into a puff of smoke);
  • pixillation (objects appearing to move on their own);
  • He even added color to many of his films, hand painting each frame.
“A Trip to the Moon” shot coloured in.

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Inspired by his works, during the 1890s many film production companies were established all over the world.  Special effects and  film continuity were introduced, involving action moving from one sequence into another, began to be used.

New film techniques were introduced in this period including the use of artificial lighting, fire effects and low-key lighting (i.e. lighting in which most of the frame is dark) for enhanced atmosphere during sinister scenes.

As films grew longer, specialist writers were employed to simplify more complex stories derived from novels or plays into a form that could be contained on one reel and be easier to be understood by the audience, which made cinema more and more popular.

In “The Vanishing Lady” ew can see examples of disappearances and transformations.

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