International Style (1922-1970)

Rectangular forms stripped of any ornament, light plane surfaces with open interior spaces, and glass or steel structures are all hallmark features of the International Style, which spread in Europe during the 20th century.

The 15-floor Ingalls Building in Cincinnati, Ohio became the world’s first reinforced concrete skyscraper in 1903.
The Ingalls Building (1903)

Image source: by w_lemay

Cover of The International Style by Henry-Russell Hitchcock and Philip Johnson.
The International Style by Henry-Russell Hitchcock and Philip Johnson.

Image source:

The Road to the International Style

In the late 19th century, architects grew dissatisfied with the eclectic, chaotic blended styles, ornaments, and techniques that characterized contemporary buildings. Additionally, in the modern, industrial societies there was a need for large volumes of office, residential and commercial buildings. In addition, the development of new technologies increased use of iron, steel, reinforced concrete and glass (more effective and cheaper than traditional masonry materials), which meant an ever-growing shift in construction (and aesthetic) priorities. Therefore, these three changes formed the foundations of the International Style, proposing harmony between appearance, technology, and functionality.

The Alvord Lake Bridge by Ernest L. Ransome. 1889, The Alvord Lake Bridge was the first reinforced concrete bridge built in America.
The Alvord Lake Bridge (1889) by Ernest L. Ransome

image source: by J Jakobson

International Style Characteristics

The typical features of the International Style and its buildings include linear shapes, plane surfaces completely without ornaments, and open, even fluid, inner spaces. Consequently, this translated into a form of minimalism with a singular modern look, improved by its use of advanced materials, such as glass for the facade, steel for exterior supports, and concrete (often carefully hidden to not upset the visual balance) for interior supports and floors.

S. R. Crown Hall in Chicago: A large, dark, glass building with two sets of skinny stairs along the front door.
S. R. Crown Hall by Mies Van Der Rohe

Image source: by Peter Alfred Hess

MOMA Exhibition

In 1932, the “Modern Architecture: International Exhibition” opened at the Museum of Modern Art, or MOMA, showcasing the novelties and modern advancements in design and architecture. Further, curated by Philip Johnson and Henry-Russell Hitchcock, the exhibit presented a new style of architecture to the world, which already featured the simple, hyper-modern geometries that went on define the International Style.

Modern Architecture, International Exhibition. 1932-(here visible the model of Le Corbusier’s Villa Savoye).
Modern Architecture, International Exhibition (1932)

Image source: by ivtoran

International Style Architects

Charles-Édouard Jeanneret, known as Le Corbusier, was an architect belonging to the first generation of the International school. Among his most famous works of International style was the Villa Savoye. Futhermore, this building’s design addressed the emblematic “Five Points” of Le Corbusier, or the basic tenets of the new architectural aesthetic, which were:

  1. Support of ground-level pilotis, to elevate the structure
  2. Functional roof, to stay in contact with nature
  3. Free floor plan
  4. Long horizontal windows
  5. Freely-designed facades
La Villa Savoye de Le Corbusier (Poissy, France): A white building with a rectangular top, an awning that goes all the way around the building and long rectangular windows.
La Villa Savoye de Le Corbusier -Poissy, France

Image source: by dalbera

Richard Neutra, defined as one of the most important Austrian architects of his time, studied at the Technische Hochschule from 1911 to 1917. Notably, his design for the Lovell (Health) House, with balconies sustained by steel cables from the roof structure, forming an open-web skeleton (that had to be taken to the steep hillside by truck) is quite famous. Neutra’s way of bringing designs to life was geometric and simple because he was always aware of the site he was working on.

Lovell House (1929), Los Angeles, California, by Richard Neutra : A large white house with dark rectangular windows. There are purple flowers in the left of the photo as well.
Lovell House (1929) by Richard Neutra 

Image source:

Philip Johnson was a polyhedral figure when compared to his peers. He was a proponent of minimalism, a voice to push Modernism forward, and even a defining figure in the Post-Modernist movement. Today, he is regarded as a key figure for his roles as both architect and critic. Additionally, his residence and most famous creation, the Glass House, was an odyssey of experimental proportions in forms, function, materials, and landscape “sculpting.” To this day, it is considered an emblem of Modernism in idea and style.

Philip Johnson’s Glass House - New Canaan, Connecticut: A glass building without traditional walls, but there are still structural posts throughout the structure, likely made of steel.
Philip Johnson’s Glass House – New Canaan, Connecticut.

Image source: by heldermira

Info source:

Ads Blocker Image Powered by Code Help Pro

Ads Blocker Detected!!!

We have detected that you are using extensions to block ads. Please support us by disabling these ads blocker.

Powered By
Best Wordpress Adblock Detecting Plugin | CHP Adblock