Paul Follot (1877-1941)

French Designer of luxurious furniture and decorative art objects, Paul Follot was one of the leaders of the Art Deco movement and had a huge influence in France. Most notable, his role as head of the Pomone decorative art workshop of Le Bon Marché department store.

Paul Follot
Paul Follot

Image source:,_by_Boivi.jpg

About His Life

Paul Follot was born in Paris in 1877, son of wallpaper manufacturer Fèlix Follot Between. Training as a sculptor under artist Eugène Grasset, his first designs were by inspired by Neo-Gothic art. Between 1901 and 1903, he approached Art Nouveau, realizing silver objects, fabrics, bronzes and jewels for the Paris showroom “La Maison Moderne” by Julius Meier-Graefe; these same years, he joined “L’Art dans Tout” (Art in Everything), a group of artists promoting French artisanship over foreign industry products, as a founding member; he’d meet decorative artist Maurice Dufrêne, whose approach to Deco ended up heavily influencing his own style.

Beginning with 1904, Follot began working as an independent designer, and by 1910 he headed his own decorating company, catering to a wealthy clientele, where he gained a reputation for quality and elegance, with a classical taste deeply intertwined with Deco sensibilities. Among his products, there was luxury furniture, textiles for Cornille et Cie, carpets for Savonnerie, silver for Orfèvrerie Christofle and china designs for the Wedgwood company of England, as well as wholly new designs of jewelry developed throughout the decade. By 1923, Follot took charge of the Pomone decorative art workshop of Le Bon Marché department store, characterized by affordable, high quality furniture and decorations, where he redesigned the company symbol as well, a tree laden with fruit – one of many nature-patterned symbols typical of Deco.

His leadership bore immediate fruit, as his design for the Pomone Pavilion, at the 1925 International Exposition of Modern Industrial and Decorative Arts, was a resounding success; however, by 1928, his position would change, as he joined the Parisian branch of Waring&Willow, an English furniture company, as director, where, together with Serge Chermayeff, he introduced motifs of fruit, garlands and cornucopias to the company’s image.

By 1931, he’d resumed independent practice, and kept working until his death, in 1941.

Art Nouveau entrance with ceramics of Follot's house
Art Nouveau entrance with ceramics of Follot’s house built in 1911 at 5 rue Schoelcher, Paris.

Image source: by dalbera

Works of Follot

Silver tea and coffee service: representing a rare and important French Art Nouveau silver coffee and tea service by Paul Follot, this set includes a tray, a tea and a coffee pot, as well as containers for sugar and cream. Characteristically decorated with whiplash curves, folds similar to fabrics and splashes of leaves, it currently resides’ in the Musee d’Orsay, the Victoria & Albert Museum, and the Brohan Museum, ca 1902. In the year 2000, an identical set was exhibited during the Art Nouveau 1890-1914 exhibit, at the Victoria & Albert Museum and the National Gallery of Art, ca 1904.

French Art Nouveau Silver Tea and Coffee Service
French Art Nouveau Silver Tea and Coffee Service, 1900-05 ca, by Paul follot

Image source:,_servito_da_t%C3%A8_e_caff%C3%A8,_1900-05_ca.jpg

Art Deco Chair: Paul Follot was one of the top Art Deco designers, combining traditional forms with rich decorations. This gilt bergère was created by the iconic designer during the second quarter 20th century, blending a softly curved frame with a soft cotton/linen blend. The wooden shapes are accented with gilt over a red underlay, which gives the finish its distinctively gorgeous depth.

Decorative arts in the Musée d'Orsay
Decorative arts in the Musée d’Orsay, 1912

Image source:,_coppia_di_sedie_da_sala_da_pranzo,_francia,_post_1912,_01.JPG

The Deco Style

Follot’s early designs reflect the Gothic revival and its foliated motifs. Follot had acquired a taste for wooden patterns, toghether wirh Grasset’s sculptures. He made well-upholstered pieces in delicately curved, with ornate gilded wooden frames, and liked to use rare materials, with inlays of contrasting colors or gilded bronze friezes. His furniture therefore approached the styles of Louis XVI or the Empire rather than the contemporary Art Nouveau.

Silver-plated metal
Silver-plated metal, 1903 Musée d’Orsay, France

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After 1910, Follot’s designs became quieter and following classic guidelines as his style evolved towards the Art Deco. The set of dining rooms of Follot in sycamore, ebony and amarato, exhibited at the Salon d’Automne in 1912, is considered one of the first examples of Art Deco. Follot was a “purist” art deco, and saw his work as the refinement of classic French design, often designing fabrics and wallpapers in traditional and modern styles. In 1928, Follet said:

We know that the “necessary” alone is not enough for the man and that the superfluous is indispensable for him, otherwise we also suppress the music, the flowers, the perfumes … and the smile of the ladies!

Paul Follot

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