Mannerism is a style in art and architecture (1520-1600), born in Italy as a reaction against the balance of form and proportions characteristic of the High Renaissance.
Mannerist Painting’s Main Features
There are two moments of Mannerist painting: Early Mannerism that is known for its “anti-classical” style and High Mannerism, an intellectual style, designed to fascinate sophisticated patrons. As a whole, Mannerist painting is way more artificial than Renaissance painting. This exaggerated language is typical of emotionalism. This could be seen in elongated human figures, unusual lighting or perspective, vivid colors.
In conclusion, the Mannerist’s innovation was more important than the actual subject question. The realism of earlier Renaissance conception of art allowed an artificial appearance. Emotion is conveyed through contorted scenes, which require an intellectual response from the viewer in which is created a feeling of tension or anxiety.
The most important Mannerist Artists
These are the names of the most important artists of this style:
- Michelangelo is best known for his Sistine Chapel frescoes such as The Last Judgement;
- Correggio is famous for his sentimental narrative works and his light radiating from the child Christ;
- Parmigianino was an influential master from Parma;
- Giorgio Vasari was a second rank painter but used to write works like “Lives of the Artists”, he was also the architect who designed the Uffizi in Florence;
- Tintoretto was a great drawing expert and composed many religious paintings;
- Giuseppe Arcimboldo is known for his bizarre fruit and vegetable portraits;
- Annibale Carracci was from Bologna, was noticed for his fresco paintings in the Farnese Gallery;
- Adam Elsheimer had an exquisite way of depicting landscapes, he will influence Claude Lorrain, Rubens, and Rembrandt.
While sculpture in the High Renaissance period is featured with forms and perfect proportions as in Michelangelo’s David, Mannerist sculpture, was characterized by very long forms, spiral angels, and twisted poses. In addition to this, Mannerist sculptors used to work with precious metals frequently, it is another important difference-making comparison with sculptors of the High Renaissance.
“Figura Serpentinata” is a style of sculpture typical of Mannerism. Examples can be seen in Leonardo da Vinci, Raphael, and Michelangelo. The change of norms of the High Renaissance brought to the “Serpentita” style. Mannerist style’s structures began to be systematized. Movements were motivated, rendered in a pure form. Powerlessness in actions is evidenced by Giambologna‘s “The rape of Sabine women”.